Elin Manahan Thomas (soprano)
Elizabeth Kenny (lute & theorbo)
Richard Booth's Bookshop
Tickets: £15 Now booking
"NOW WINTER COMES SLOWLY"
A festive programme of wintry favourites featuring scenes from Purcell's Fairy Queen and King Arthur, hymns to the Virgin, celebratory Christmas songs by Bach and Scarlatti and traditional carols and Noels. Elin and Elizabeth's popular alliance will sprinkle some musical magic on a dark winter's night.
For more details, see the Home page
The Consone String Quartet
Richard Booth's Bookshop
Tickets: £13 Now booking
The Consone String Quartet:
Agata Daraskaite - violin
Magdalena Loth-Hill - violin
Elitsa Bogdanova - viola
George Ross - cello
play early quartets by Haydn and Beethoven,
and Mendelssohn's last work for string quartet
Quartet op.1, No.1
Quartet Op.18, No3
Four Pieces for String Quartet, op.81
Winners of the 2016 Royal Over-Seas League Strings/Keyboard Ensemble Prize, the London based Consone Quartet is dedicated to exploring and recreating the sound-worlds of the Classical and early Romantic string quartet repertoire through period instrument performance.
The quartet's success at the finals of the 2015 York Early Music International Young Artists Competition brought them the EUBO Development Trust prize and a place on the prestigious European Emerging Ensembles scheme, which supports young early music ensembles. The group has performed in Prague, at the York Early Music Festival, Concerts in the West, AMUZ in Belgium, the Ambronay Festival in France and Ghislieri Musica in Pavia, Italy.
Consone has collaborated with members of the Hanover Band, the Fitzwilliam String Quartet, clarinettists Jane Booth and Vlad Weverbergh, soprano Gillian Keith, Ahsley Solomon and Colin Lawson for several performances in Vienna. Other performances include the Wigmore Hall, Buxton Festival, Lake District Summer Music, Cadogan Hall, Edinburgh Festival Fringe, the Queen's Gallery at Buckingham Palace and Bulgaria Chamber Hall in Sofia.
Last year the group was selected for the Brighton Early Music Live! Scheme and presented a lunchtime programme themed around the origins of the string quartet.
Jane Chapman (harpsichord) and Yu-Wei Hu (flute)
Richard Booth's Bookshop
Tickets: £14 Now booking
Arranged and adapted by William Hamilton Bird, the 'Oriental Miscellany' is the first published transcription of Indian vocal music in Western notation taken from live performance. Published in Calcutta in 1789 it was considered an important historical source, reflecting Western fascination with the East, and the vogue for Hindustani Airs. The publication also includes a Sonata for harpsichord and flute which includes many of the songs found in the collection.
Jane and Yu-Wei will present this music in an informal way, and tell the fascinating story behind the people who collected and transcribed these pieces giving a sense of the cultural life in India at the end of the 18th century through the diaries and letters of accomplished women.
"I have now the pleasure of enclosing you a Copy of some Indostaun Airs. You may be assured they are exact, and to me they are pretty. Norwithstanding this I cannot be quite clear that they will please you; for notes cannot express Style, and that of these airs is very peculiar and new. I have often made the Musicians tune their instruments to the harpsichord that I might join their little band. They always seemed delighted with the accompaniment of the harpsichord and sung with uncommon animation, and a pleasure to themselves, which was expressed in their faces ... The Governor's little Band from whom I took down these airs consisted of Three Singers; two performers with a kind of large guitar, and their usual accompaniment of drums ... The strings of the Guitar were all tuned in unison. Through the whole air they continue sweeping these strings which produces an uninterrupted Buz, resembling that of an insect which I have often met with."
Accomplished harpsichordist Margaret Fowke, an avid collector of Hindustani Airs, writes enthusiastically to her father. Her family formed part of a wide musical circle that included William Hamilton Bird, and it seems likely that Margaret may have contributed some of the airs to the Oriental Miscellany, perhaps even those she had taken down from the Governor's little Band. Originally from Dublin, Bird is identified in the Bengal Calendar and Register for 1790 as a 'Conductor of public amusements'. Promoting concerts at venues such as the Old Court House, by composers such as Corelli, Giordani and Haydn, could be a risky business, and according to the 1789 Calcutta Gazette, Bird didn't attract the necessary 100 subscribers for a performance, and had to cover costs himself: "His wishes to amuse are (and always will be) much more predominant than those of emolument". The vogue for Hindustani Airs came at just the right moment. Bird's debts were mounting as can be seen from a notice in the Calcutta Chronicle in 1788 requesting the indebted, "immediately to make known the Nature and Amount of their respective Demands". Therefore this new publishing enterprise was timely.
The Oriental Miscellany, being a collection of the most favourite airs of Hindustan, compiled and adapted for the Harpsichord, was first published in Calcutta in 1789, and later In Edinburgh (c.1805). Dedicated to the first Governor-General of India, Warren Hastings, it attracted over 250 subscribers including Earl Cornwallis, chief administrator of the East India Company in Bengal, and Sophia Plowden, a fellow harpsichordist, singer and good friend of Margaret Fowke, who compiled her own beautiful manuscript now housed at the Fitzwilliam Museum, Cambridge. The first publication of the Oriental Miscellany contains 30 songs (most of which are also arranged for guitar), in different Indian vocal styles transcribed from live performance, with titles transliterated from the original Arabic script, though no actual verse. Bird's transliterations were highly criticised by the grammarian John Gilchrist. Bird also composed a Sonata for harpsichord with violin or flute accompaniment, which weaves 'select passages' from at least eight of the airs into its various movements, creating a medley of tuneful fragments with titles that appear in the score, perhaps the first work of East-West fusion.
Jane Chapman is professor of harpsichord at The Royal College of Music. Described in The Independent on Sunday as "Britain's most progressive harpsichordist" and in the Guardian as "a fearless contemporary music performer" Jane Chapman is at the forefront of creating and inspiring new music for harpsichord. She has premiered over 200 solo, chamber and electroacoustic works for the instrument worldwide. Equally passionate about baroque and contemporary music, she has collaborated with ground-breaking composers, artists and dancers, working with musicians from the worlds of Indian music, jazz, and the avant-garde.
"Jane Chapman uses the harpsichord's features - machine stop, lute stop - to full advantage. Early Music Review *****
"Remarkably colourful performances ... ornamental flourishes unlike anything found in European music of the time." Telegraph
As both a recitalist and orchestral musician, Yu-Wei Hu has performed baroque and classical flutes throughout the UK and Europe. She performs classical flute with Swedish guitarist Johan Lofving as the Flauguissimo Duo and those who attended their concert in Richard Booth's Bookshop in November last year will remember their delightful performance.
The Oriental Miscellany: Airs of Hindustan with Jane Chapman "... a Sonata composed by Bird, which weaves at least eight Hindu airs into standard galant structures, played with flair and panache by flautist Yu-Wei Hu" - Noel O'Regan, Early Music Review
Sara Stowe (soprano) and (TBC)
Friday, 27 - Sunday, 29
Fourth Hay Chamber Music Festival
Zoe Martlew (cello) and Finn Downie-Dear (piano)
Amy Norrington (cello) ensemble
Clare Hammond (piano)
Fidelio Piano Trio
Volksrenije Choir from St Petersburg